Paca酒店,立陶宛/ Saulius Mikstas打开口口胶囊室内装修网SN.JZS要口口口建筑有一个口奇的口去,未免口于口描淡写。口其中最著名的莫口于166年立陶宛大公国(一个存在于1世口至156年口的欧洲君主制国家)口事指口官,以及最有影咆力的 Paca家族成口 MykolasKazimieras Pacas口下了两口彼此相口的建筑,井捋他口打造成口尔口斯最奢口的口殿。口口殷的打造及内口口均出自同一位意大利建筑口、圃家和雕塑家之手。口位意大利建筑口口参与了口尔口斯圣彼得大教堂和圣保口大教堂的口口,而由其口口的考口斯 Pazaislis Monastery建筑,更是被誉口立陶宛巴洛克式建筑的口大杰作To say the building has a storied past would be an understatement. Most notably, in 1667, Vilnius CastellanHetman of the Grand Duchy of Lithuania, Mykolas Kazimieras Pacas, (of the influential Pacai family)bought two adjacent buildings and turned them into one of the most ornate mansions in Vilnius. The palacewas designed and decorated by the same Italian architects, painters, and sculptors that worked on thehurch of St Peter and St. Paul in Antakalnis, Vilnius, and Pazaislis Monastery in Kaunas-considered to奥尚室内装修 V建筑外貌, exterior view下不不≌△△S4 SIF5SCI NET打造一种既符合建筑的文化真口性,又櫃根于口座魅力城市的酒店口境,意味着建筑的重修工程与保口措施同等重要。改造口程中,建筑口 Saulius mikstas尽力保留了原建筑的真口口口,包括庭院,拱券囗构及逼布空口四周的壁画。建筑内的壁画及装口大多源自巴洛克口期 Paca家族。口口口捋口些穿梭口代的壁画一片片修复,与此同口,有更多的壁面被口口口移除,暴露出最内口的保存完好的口面。口家族建筑口口异主之后部分房口被封死。口口口在此次重修工程中,捋封口的房口重新打开。一些保留的口口如充口神秘色彩的楼梯口,栩栩如生的雕塑,和丰富的口史古器,都被重新融入到建筑口境中。口口口在原建筑之上加建两口空口,并覆盖上全新的巴洛克式屋口。Creating a hospitality experience attuned to cultural authenticity and rooted in the charismatic city meant theapproach to re-invention was equal parts transformation and preservation. Architect Saulius Mikstas strivedto preserve as many authentic architectural details as possible, including the courtyard and arches, as well asthe original frescoes found throughout the inside of the building. Unearthed wall paintings were restoredfragment-by-fragment, and many layers of wall paint were removed to reveal the most interesting and well-preserved layers, mostly from the Baroque period when the palace belonged to the Pacai family In theprocess of restoration, many doors that were closed and cemented after the palace was taken over from奥尚室内装修 作口酒店的精神文化中心.开口的庭院于酒店建筑口口展开,口起了旧世界的城市氛口。口个开口的露天口境是酒店的社交中心,入住旅客可以在此享受口口活口,食客口可以在口放松享口至天明。旧城区狭窄蜿蜒的道路,新城口光口口的摩天大楼,城市夜狂口,口口埃口史口迹,皇口城垣和教堂塔口在此口遥相呼口,口史与口代的碰撞,宛若口空穿梭般,口来溢于表的独特体口。九十四口客房和十口套房的口口无不展口出口口口口各具特色的空口口造。从复口精致的口面口口.如手口的柱列和粗糙裸露的口口,到保存完好的木梁天花板和壁画,无不在口口口的巧口天工下展口出独特的采。空口色口在蛋壳色、浅厌色、厌褐色和深棕色之口展开口化,丰富的色口口空口自然而然的与口口相口合。公共空口色口以深厌色和口色口主口,其中地板和楼梯材料来自于“ Pandomo Loft"。Central to the hotels cultural ethos, an expansive courtyard is flanked by the hotel, which evokes the oldWorld atmosphere of the city. The open-air space is the social heart of the hotel, where guests enjoy artevents and dinners that stretch long into the night. Here, a remarkable hospitality experience is a fittingreflection of the merged eras of this singular destination-one where the narrow, winding roads of the oldTown sit alongside gleaming skyscrapers, urban drinking dens, Soviet relics, royal palaces, and steepledhunches94 rooms and 10 suites are each a study in spaces crafted uniquely around their own distinct set of featuresFrom intricate wall detailing, like painted faux columns and rugged exposed brick, to original wooden beameilings and frescoes, all have been lovingly revealed and highlighted. Subtle room palettes range fromeggshell and light grey, to taupe and deeper browns, ample mind paid to ensure the room s naturalnaracteristics dictate the design. Public spaces feature dark greys and blues, with the flooring and stairsreceiving a treatment by Pandomo Loft第,的柱经SN..NET公MB田HH奥尚室内装修
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